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What gave the ‘Bourne’ series a class of its own was the unnatural method by which an uncommon subject was treated, giving the audience a visual treat while at the same time holding a tight grip over their nerves. With ‘Haywire,’ the story begins with Mallory Kane (Gina Carano) and Aaron (Channing Tatum) at a diner. A fairly disinteresting conversation ends up in a fight which hits the viewer as hard as it does the characters. The highlight of ‘Haywire’ is the fight sequences which have been captured with as less cuts as possible to give that added feel of realism. |
The story revolves around Mallory Kane, realistically portrayed by
retired MMA fighter Gina Carano. Her professional background in fighting
bouts has elevatedthe fight sequences to a whole other level, achieved
only by a handful of films. The weak and naive storyline however robs
much of the credit from the film, whose level of excellence in action
sequences and dialogue delivery should have made it stand on par with
the ‘Bourne’ films. Cinematography by Peter Andrews is another thing
that needs to be specially mentioned. His long shots, both in the fight
sequences and car chases keep the viewers glued to the screen, without a
blink, for fear of missing a shot.
All said and done, the ending of the film is unexpected; but how it
manages to sit with the audience is variable. Some might think it is
awesome and would wait for the sequel whilesome would find it a test for
their patience; however the fact remains that the ending is very much
unexpected. |
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