In the midst of all the rush to include the latest technology, the latest camera lens, international locales and such, the story content is usually given the backseat in recent films. 'Ee Adutha Kalathu' has put an end to that dry streak. The story, which starts off with characters that are quite unrelated to each other, finally makes the link just before the intermission. It evolves further through the latter half of the movie towards its unexpected yet in every sense natural and believable conclusion, and definitely proves to be the refreshing rain cloud on a long story-drought hit land.

Like a Rubik’s cube, life too can be lived a billion different ways. And it is interlinked with the lives of others in a billion different ways too. Your fate rests in the hands of others, just like the fate of many others rest upon yours. 'Ee Adutha Kalathu' is a story of a diverse group of persons each suffering from their own individual demons. Their lives are changed forever through a series of events, triggered by one person’s connection to the other.

'Vishnu' (Indrajith) is the poor struggling young man with a family consisting of his wife 'Ramani' (Mythili), ailing mother and two children. 'Madhuri Kurien' (Tanushri Gosh) is the long suffering, sex-deprived wife of 'Ajay Kurien' (Murali Gopi) who is driven to intense frustration because of his impotency. These characters of 'Vishnu' and 'Madhuri Kurien' form the core part of the story, amply supported by Nishanth as the love-faking 'Rustham', Anoop Menon as the fame seeking Police Commissioner 'Tom Cherian', Jagathy Sreekumar as 'Bonacaud Ramachandran', editor of a local daily pulp news magazine and Lena as the enthusiastic journalist 'Rupa'.

The actors, all of them, have done justice to the superb effort from director Arun Kumar Aravind, who had an impressive debut with 'Cocktail'. The story is set in the city of Trivandrum and Murali Gopi who has written the story and dialogues of 'Ee Adutha Kalathu', hasn't compromised on reality for the sake of the supposed morality. The slangs mouthed by the poor man 'Vishnu,' his wife 'Remani', and that of Baiju as the local goon 'Watson' would sound as much forbidden, as it is real. Also no line has been wasted  for delivering hard hitting punch dialogues, which give the script an extra charm. Gopi Sunder has done a wonderful job with the music in providing the movie with a constant pace that builds up towards the end.