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After the highly successful Udayanaanu Thaaram and the moderately successful Ividam Swargamaanu, director Rosshan Andrrews comes up with his new offering, Casanovva. The script was penned by Bobby-Sanjay, who had always made compact scripts with the very recent Traffic being the best example. Since it starred one of the reigning Superstars Mohanlal, the hype just kept getting higher. Finally, the film has hit the screens and amidst a lot of struggle, I managed to grab a ticket for the noon show on the first day of its release.
The film starts off with a 4-member gang of thieves executing several robberies. Their next target is to rob priceless treasures from some millionaires who would be attending a big celebrity wedding in the coming weekend. Due to the high security at the wedding, the only way for the robbers to sneak in is by pretending to be a part of a big group of guests. That is when they come to know that a big businessman Casanovva (Mohanlal) is set to arrive with his huge staff. Casanovva is the owner of Casanovva’s Eternal Spring, an International chain of flower boutiques. The gang manages to sneak in with Casanovva’s group but what they do not realise is that there is more to the man Casanovva than they had realised. What happens from then on forms the crux of the film.
Coming to the performances, Mohanlal looks stylish but has no scope for showcasing his craft in this film. For an actor of his calibre, this role is a walkover. He carries the film on his shoulders and dominates with his charisma and screen-presence. Jagathy is totally wasted in his role, which seems similar to the one he did in Sagar Alias Jacky. |
The
film has an ensemble female cast but most of them have very little to
do. Shreya comes up with a fine performance. The four youngsters who
play the thieves are good. Lakshmi Rai, Sanjanna and Roma have very
little to do in the film except adding a glamour quotient and they
succeed in doing that.
Casanovva boasts of superb visuals but apart from that, there is hardly
anything to write home about. The first half is good with an intro that
would keep Mohanlal’s fans happy. Thereafter, the film moves forward
with some good songs, fights and chase sequences till the interval.
Post-interval, things go awry. The flashback sequences are too long and
poorly scripted. A lot of unwanted scenes are also dragged in, making it
a boring period in the film. The romance between Mohanlal and Shreya
fails to ignite a spark, as they have zero chemistry on-screen. The film
meanders towards a predictable climax. The screenplay of the film is
the biggest drawback of the film as there is nothing convincing about
it.
Image Courtesy: www.indiancinemagallery.com |
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